Love poems between aristocratic women were not uncommon at the time, as long as they stayed safely on the side of friendship. Her love poems explore conventional aspects of the theme: These plays, derived from medieval religious plays, were often performed with much pageantry and elaborate costumes.
Sor Juana sought to unveil the Mysteries of Christ; obviously the most difficult part was how to make the invisible visible.
When Juana was 8, her father abandoned the family and the girl moved to Mexico City to live with her aunt.
The ensuing furor over her impudence saw the Catholic hierarchy cracking down on her freedoms—she lost her library and her permission to publish, had to sell her precious scientific equipment, and signed her sanguineous confession: Catherine of Alexandria that sing the praises of this learned woman and martyr.
Her mother was a Creole and her father Spanish. Jerome, which she was a very solid fit for her and she continued to practice her faith and lived in community with them for the rest of her life. A festejo usually honored one or more noted individuals.
Sor Juana worked diligently to educate herself continuously throughout her life in order to reach a level of sophistication that no man could contest. Sor Juana placed her own stamp on Spanish 17th-century literature.
Her work is highly praised for its use of symbolism, decorative and exotic imagery, hyperbole, contrast, paradox, and references to important fields of learning in her time, such as philosophy, theology, and science. The play concluded with a sarao, a brief play praising the viceroy and his family in music and dancing.
She claims that Sor Juana was ahead of her time and was able to intelligently critique the oppressive, patriarchal structures of the church. The sainetes, or farces in this festejo, end in song, or song and hisses. Her words are jealous, obsessive, intensely physical.
Her mother was Isabel Ramirez. Salceda, runs to four lengthy volumes. Some of the poetry is addressed to a shadowy male figure named Silvio or Fabio while other times she speaks in a male persona and addresses her verses to a woman.Sor Juana Inés de la Cruz, O.S.H.
(English: Sister Joan Agnes of the Cross; 12 November – 17 April ), was a self-taught scholar and student of scientific thought, philosopher, composer, and poet of the Baroque school, and Hieronymite nun of New Spain, known in her lifetime as "The Tenth Muse", "The Phoenix of America", or the.
Sor Juana Ines de la Cruz Essay Sor Juana Ines Sor Juana Ines de la Cruz was the daughter of a Spanish captain, Their products are sold in Argentina and other 15 countries with the help of his son, who is the only one speak English and give a.
Sor Juana: Mexico’s Most Erotic Poet and Its Most Dangerous Nun She was a woman who’d be extraordinary in any century. A look at the new translation of the works of Sor Juana Inés de la Cruz.
Sor Juana Inés de la Cruz: Sor Juana Inés de la Cruz, poet, dramatist, scholar, and nun, an outstanding writer of the Latin American colonial period and of the Hispanic Baroque.
Juana Ramírez thirsted for knowledge from her earliest years and throughout her life.
As a female, she had little access to formal education and. Sor Juana Essay Sor Juana Ines De La Cruz was a woman far beyond her years. Living in a time when society was dominated by men, she disregarded the fact that women during this time were forced to be uncurious objects, whose highest achievement in life was to /5(1).
Sor Juana Inés de la Cruz, the first great Latin American poet, is still considered one of the most important literary figures of the American Hemisphere, and .Download